Avast! Thar be spoilers ahead!
Showing posts with label alternate reality/parallel universe. Show all posts
Showing posts with label alternate reality/parallel universe. Show all posts

Tuesday, July 20, 2010

The Dispossed: An Ambiguous Utopia

I am going to try this again. I want to talk about revolution. The word itself hints at the problems of a revolution. To revolve is to turn and return. The idea of return plays an important role in Shevek's life and his theories of physics.

My family is from Cuba. My mother was born just days after Castro came down from the hills and declared victory. It was what my grandmother prayed for and she reminds me from time to time to be careful what we pray for because we just might get it. A couple of years later, my grandmother move to Florida with my mother while my grandfather was in jail. If you knew my grandparents, you would be struck by the absurdity. Like me, my grandmother stubbornly says what she thinks out loud, dangerous in any dictatorship. My grandfather is the opposite, he makes do and tries to see the best. Revolution is a dirty word and many of my cousins, I am quite certain, did not vote for Obama because his promises sounded disturbingly familiar. My grandmother also likes to say, "If you aren't a communist when you are 20 then you have no heart; if you are still a communist at 50 then you have no brain."

We look at Cuba with fear and hope, with impotent anxiety, with thin-wearing patience. I have only known Havana's streets in photographs, black and white and yellowing with age but it is the place where my grandparents and older cousins came into the world, were they grew up, were they became. There is a lingering but strong homesickness, an undeniable bond, and a painful recognition of the familiar. So I keep looking at pictures, cooking Cuban food, and, lately, I have been reading a blog by a woman, Yoani Sánchez, trapped on that island.

She has recently written a post about the maintenance of the revolution. To be 'revolutionary' "it is enough to exhibit more conformity than criticism, to choose obedience over rebellion, to support the old before the new." This is the harsh reality Shevek finds on his home planet.

He lives roughly 200 years after the Odonian revolution in a communist paradise. I find my heart sympathetic and smitten with the communal and free spirit of his world, not to mention the equality of sexes and the utter frankness of bodily functions. It offers a type of freedom I will never know and could not survive: freedom from possession. And, while I envy the health care systems of other western, first world countries, I have no intention of going whole hog - not because I am disgusted by the ideal of communism but because I am terrified of the realities.

Shevek discovers that in his academic field, there is corruption where there should be none, barriers against the novel, and that the ideals upon which his society is based can be manipulated into the power structure they oppose. One of his friends is punished by continual assignment to physical labor until he breaks down, forced into an assylum. Shevek's work is stymied by his supposed mentor who denies publication of his work unless credit is shared and blocks Shevek's entry into teaching.

I know that corruption is not a new theme in the utopian genre of science-fiction. What surprised me was the description of how stability can promote corruption, how status quo can purchase power. There are many kinds of freedom: freedom to live, freedom to work, freedom from physical harm, freedom of thought, freedom of mind, freedom to speak and freedom to be heard. Shevek has a very tangible sense of the freedom he desires and is denied. It is freedom to be heard that he seeks, risking all other freedoms for the ability to communicate.

At the risk of sounding prosaic, I offer these quotes, frequently misattributed to Thomas Jefferson:
The price of freedom is eternal vigilance.
Those who would give up essential liberty to purchase a little temporary safety, deserve neither liberty nor safety. (This is Benjamin Franklin, by the way. You've probably heard a popular paraphrase)

The Dispossed: An Ambiguous Utopia


I have not yet finished this book but it is living up what I have come to expect from Le Guin-a complete world governed by different social structures, deep characters, and the painful feeling that I am missing out on something whenever I am forced to put the book down.

The book is structured both sequentially and simultanouesly according to concepts in phsyics explored by Shevek, the protagonist. This concept is not so difficult to me because it is at the heart of the Jewish calendar, or more correctly the heart of the conflict between the Jewish and the secular calendars. On the face of things, the calendars are only different in that the former is a lunar calendar while the latter is a solar calendar. The both have seven day week cycles, they are marked by (semi)lunar events called months, each annual orbit of the sun begins a new calendar year, and the months are sprinkled with secular and/or religious holidays. However, if you live with both, they begin to take on different meanings. The Jewish calendar becomes one of tradition, of repeating cycles. The Sabbath grounds the week and returns one constantly to peace, to the celebration of life, and to God. The secular calendar marks the forward movement of time through life, the daily grind. The cycle and the progression are part of each other.

Oh travel through the heavens! This is not what I meant to write about but I have wandered into time and physics. I will give it a go.

Shevek tries to explain time like a book. Everything is in the book already but we must move through it from one end to the other. We are only readers of a small portion and we are only able to understand our portion if we move from beinning to end. If you have read Slaughterhouse Five, you will be familiar with this understanding of time as this is how Tralfalmadorians view time, except that they can see the end as easily as the beginning and move fluidly through it. This naturally becomes determinist, lackign free will. Shevek tries (maybe he eventually succeeds) in reconciling his theories of physics and time with free will. I would struggle to put the two together, too, but I am not worried about free will. It doesn't seem worth worrying about since, unless you are Kilgore Trout, you don't get to change whatever the status quo is.

The two worlds, Anarres and Urras, revolve around each other, referring to one another as moons of their earth/world. So, too, do their civilizations and governments pull and repel each other while travelling through their orbits. I haven't developed this thought enough to comment on its relationship to the theories of physics and time that are central to the novel.

Monday, February 8, 2010

A Word About Genre: Alternative Reality/Parallel Universe

The alternate reality, parallel universe is one of my favorite elements in science fiction. It turns our silly world on its head. Generally, the alternate reality has a stronger relationship to our reality than the parallel universe, it is much like ours but with small variations.* A parallel universe often has different laws in the hard sciences. For example, gravity may not be stable or travel at the speed of light may be possible.

The other world has a beautiful history as ancient as man. Many of our great myths are stories of events in another world, such as on Mount Olympus. Other worlds are found in favorite children's stories as in the Chronicles of Narnia by C. S. Lewis. In such a world, there are talking animals and trees. Another key difference is that time passes at a different rate. The Pevensie children live full, adult lives before returning to childhood, having missed little time during the reality that contains WW II. Similarly, when they return, they have not aged greatly but the world of Narnia has aged and changed greatly.

Authors and film makers tend to have great fun when surprising their readers and audience by the surprise twist that the plot takes place in another reality.

The magic of this genre is that anything in our world can be changed, for better or worse. We can live for a few hundred years, travel great distances, be able to move through time as we move through space. The Thursday Next series by Jasper Fforde offer a complex alternate reality in which time travel is possible, literary integrity is a crucial part of law and government, vampires and werewolves exist, dodo birds have been resurrected through cloning and so much more it makes my head spin. And all it takes is the gentle letting go of some law of reality and suspending it.

Of course, like all science fiction genres, alternate reality is not all fun and games. Parallel universes frequently threaten the universe of the main character's universe. And quite often his/her universe is quite like our own. An excellent and curious example is Isaac Assimov's The God's Themselves, which includes characters from both sides of an Electron Pump.

Do not be fooled by our "common sense" ideas about parallel universes. Quantum mechanics has widened our minds to the possibility. I must admit that quantum physics is exactly where I lost my firm on physics and resigned myself to Newtonian laws.

*One such variation is the alternate history sub-genre. I plan to get to this one later.